[note]

Au poste

David Simon et la télévision, une introduction

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Exclusions/inclusions

A propos de Les Estivants de Valeria Bruni-Tedeschi et All inclusive de Fabien Onteniente

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“A writer has to be read, honey”

À propos de The Wife de Björn Runge, 2018

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La Carte et le territoire

Notes sur Doubles vies d'Olivier Assayas et Qu'est-ce qu'on a (encore) fait au Bon Dieu ? de Philippe de Chauveron

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Le cinéma dédoublé

Introduction à l'oeuvre d'Isaki Lacuesta

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Désirs dans l’aquarium

A propos du Pornographe de Shohei Imamura

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Annecy 2018, #2

Miroir et orifice chez Svankmajer : la disparition des corps dans Insect (Hmyz)

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Motifs de Naomi Kawase

Montages

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Return to the scene of the crime

On Wang Bing's Traces (2014)

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Images du monde

Collages d'actualité

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Annecy 2018, #1

VR : une animation subjective à la deuxième personne

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D’intimité à intimité

A propos d'une projection de La Fièvre dans le sang

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Etats Généraux du Film Documentaire de Lussas, 2018

La jeunesse du monde

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FID Marseille, 2018

L'envers des solitudes

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Edimbourg International Film Festival, 2018

Passer à autre chose

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Les spectateurs qui en savaient trop

A propos (et en compagnie) d'Alfred Hitchcock

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Motifs de Donald Trump


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Il est défendu d’inventer

A propos de Milla, de Valérie Massadian

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Transit Fassbinder

Le cinéma allemand au festival de Berlin en 2018

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La sainte famille des Cahiers du cinéma, Olivier Alexandre

Chronique de la clique

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Hommage à Angela Ricci-Lucchi

,

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Hacker Dieu ?

A propos de Ganesh Yourself

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Mots croisés (3)


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Mots croisés (2)


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