Élias Hérody

Plaisir télévisuel et cinéma naturaliste

À propos de Diamant brut et Frenchie Shore

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Le Miroir aux alouettes, Ján Kadár et Elmar Klos

Voir juste

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Au-delà de l’éthique

Sur quelques documentaires récents

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David Lynch 1946 – 2025 (5)

David Lynch, n.m. : automatisme psychique pur…

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L’élaboration du God-Art dans les années 1960

À propos d’Une femme mariée et One+One

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Guillaume Cailleau & Ben Russell

« Le temps de se défendre » – À propos de Direct Action
,

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Megalopolis, Francis Ford Coppola

Ego-Théo-Kolossal
, , , ,

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All We Imagine as Light, Payal Kapadia

Mirages de la ville

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Thierry de Peretti

Canal Historique

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La Prisonnière de Bordeaux, Patricia Mazuy

Se payer le luxe

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Philippe Lesage

Chassez le naturel

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Le Deuxième acte, Quentin Dupieux

Sans faire acte

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Le mal n’existe pas, Ryûsuke Hamaguchi

L'Œil écoute
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État limite, Nicolas Peduzzi

Sans le regard des autres

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El Realismo socialista, Raúl Ruiz & Valeria Sarmiento

Au présent

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Cinéma du Réel, 2024. Rétrospective Claudia von Alemann

Non-réconciliée

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La Bête, Bertrand Bonello

Que la bête pleure

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Berlinale, 2024

Tendances en forme de gerbe

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La Zone d’Intérêt, Jonathan Glazer

Way of life
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Antoine Boutet

Main-basse sur la friche

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Priscilla, Sofia Coppola

Jailhouse Rock

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Bâtiment 5, Ladj Ly

Y a-t-il des colères saines ?

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Les six corps de la reine

à propos de Conann de Bertrand Mandico

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N’attendez pas trop de la fin du monde, Radu Jude (1/2)

Montage interdit

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