Carnets de printemps (2026)

Romería / Histoires parallèles / Disclosure Day / Jim Queen / Blue Heron

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Autofiction, Pedro Almodóvar

L'Avis des autres

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Édito #11

Débordées de toutes les époques, unissons-nous !

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Gabrielle Stemmer

Un texte, une voix et des images - Sur La Grève (2026)

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Débordées de toutes les époques, unissez-vous !

Ciné-club

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Bojina Panayotova

Réclamer

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Pedro Pinho

« Il n’existait pas de chemin qui soit celui de la vertu »

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The Bride!, Maggie Gyllenhaal

La Faute à Ève

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Radio Lumière #2, Anja Breien

Maris et femmes
,

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Masculin / féminin

Sur La Nouvelle Vague. Un cinéma au masculin singulier (2005/2025) de Geneviève Sellier

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Où en êtes-vous, Derek Jarman ?

Sur la rétrospective Derek Jarman du Centre Pompidou

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Christine Choy 1952 – 2025

Teach Our Children

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L’artiste et ses petites sœurs

Sur Éclats du romantisme (2025) de Raymond Bellour

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De quelque chose qui se cherche

à propos de La Petite Dernière (2025) d’Hafsia Herzi

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« C’est donc un amoureux qui parle et qui dit : » 

Sur Un film perdu de Lionel Soukaz de Xavier Baert, 2025

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Jérôme Pacouret

Lunettes teintées

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Olmo Schnabel

Les enchantements de la crise d’adolescence

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Dalloway, Yann Gozlan

Gaslit

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Amours matérielles

Sur Materialists (Celine Song) et la série Made in France

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FIDMarseille, 2025 (1/3)

To Doom and To Scroll

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Queer, Luca Guadagnino

Orphée devra payer

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With my Open Lungs, Yana Sad

Ce qu'on a, ce qui nous arrive

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Festival Lumière 2024 (2/2)

Du matrimoine au Festival Lumière ? Table ronde
, , , , , , ,

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The Substance, Coralie Fargeat

E-Chair et mate

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